Author Archives: Malcolm Koch

Slice of Life

Malcolm’s curved canvases are worked on as three dimensional objects. However, rather than considering the interplay between solid and space – as a sculptor does, his process returns to the ‘flat two dimensional picture plane’ (the switch from 3D to 2D). Working in this way creates reciprocal and distinct marks as a single expression. An aesthetic that is only possible through the use of a curved surface. So, when finally we observe them on a two-dimensional picture plane a different aesthetic emerges. Demonstrating that past events don’t disappear but an alternative purpose and meaning eventuates in the transformation of flattening the profile from one environment to another – setting in motion a further process of deep reflection or meditation.

In the example blow, ten ‘cuts’ appear on the picture plane. However, the truth is that only five single expressions were made at the one time. So one might ask, how is it that we can now can see ten? The reason that this has occurred is because the surface geometry was in a different state when it was cut, i.e., it was curled-up, so that two layers were penetrated at almost the same time. So, the flattening of the linen as we see it now happened after the event. Hence, how one mark may lead to many.

Slice of Life: Medium – Belgian linen, hand-sized with rabbit-skin glue on the reverse side, 100% cotton fabric colours, mounted to a professional quality frame.

What we observe
The raw linen (front) shows a row of 5 split open cuts at the top with another similar row below them. Appearing through each of the cuts is 5 brightly coloured fabrics, each lining up with their corresponding cuts.

The artist’s hand-sizing (rabbit-skin glue) on the reverse side, aids in turning the split edges inside itself – leading the eye into the open spaces. Also, the broad brushstroke expressions made with the glue on the ‘back’, appear to seep through the linen fabric in places, a process of over-soaking, through to the front. This brings texture and reinforces the human expression.

Close-up of several cuts (splits) in the linen surface. The edges of the linen have turned inside itself. Leading the observer into the space created.

Coming events

SALA Festival 2021
1 – 31 August 2021
 
Monday – Friday: 10am – 5pm

Opening event
Sunday, 15 August, 12 – 4pm

Malcolm Koch’s art space
Visit Malcolm Koch’s personal studio and art space. See a range of paintings on display and stored at the premises.

Monday – Friday: 10am – 5pm
44 Nelson Street, Stepney 
8362 2088 or mobile 0419 864 987

More about Malcolm Koch

Flatten the curve – the new normal!

Paintings on display in Malcolm Koch's art gallery.
Paintings on display in Malcolm Koch’s personal art space: 44 Nelson Street, Stepney SA.

About
Since 2004, Malcolm has been evolving this aesthetic thought: Creating events on a curved surface then unravelling it to ‘flatten the curve’. Only then is it complete for observation.

Malcolm’s curved canvases are worked on as three dimensional objects. However, rather than considering the interplay between solid and space as a sculptor does, his forethought is to return to the ‘flat two dimensional picture plane’ (the switch from 3D to 2D). Working in this way creates reciprocal and distinct marks as one expression. An aesthetic that is only possible through the advent of a curve. So when finally, we do observe it on a two dimensional flattened picture plane a different aesthetic emerges.

SALA Festival 2020
Visit Malcolm Koch’s personal studio and art space. See are a range of paintings on display and stored at the premises – by appointment only (to keep the curve flat!).

1 – 31 August 2020 
Monday-Friday: 10am – 5pm
Saturday-Sunday: 12pm – 4pm

Malcolm Koch’s art space
44 Nelson Street, Stepney 
8362 2088 or mobile 0419 864 987

More about Malcolm Koch

SALA Festival Program

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Preamble
To me, Membrane Art is an open door to endless possibilities. Heavily dependent upon the geometric surfaces (nature) which underpins it. Yet, in the end, you never truly know what you’re going to be looking at until you unroll it (flat).

Recognising that the surface membrane creates the basic structure for the artwork is only the beginning. Results can either echo, connect and/or entangle themselves in ways that cannot be achieved in our flat dimensional world. It shows that the markings have come from somewhere else. Where expression and sculpture unite — which is why I consider this approach neither painting nor sculpture.

There certainly is a sense of freedom by working in this way. Creating a gestural response that is deeply-rooted in the present context of quantum physics yet not bound by its mathematical theorems, provides an artistic licence to explore.